Feature Top (Full Width)

Friday, 2 May 2014

A Beautiful Mind



Beautifully acted but flawed in its depiction of both its subject and the illness 'A Beautiful Mind' gives a potted history of John Forbes Nash Jr., the Nobel Prize winning mathematician, who suffered from paranoid schizophrenia. Nash Jr. has just won a scholarship to an exclusive university and his brilliance eventually leads to international fame. As his fame grows, so too does Nash's inability to separate what is real and what is not. Crowe gives a splendid performance as Nash, and Connolly also does fine work as his wife, Alicia. Where 'A Beautiful Mind' ultimately falters is with the screenplay and the director's insistence on spelling everything out for the audience, leading to a patronising depiction of a terrifying illness.

Pompeii


pompeii

Cherry-picking from other movies in the genre seems to be in vogue now (see Oblivion and Last Days On Mars) and while Pompeii freely yoinks bits and pieces from Conan the Barbarian, Spartacus, Gladiator and The Horse Whisperer (that's right) it is essentially Titanic.
After witnessing his family and entire Celtic tribe wiped out by Kiefer Sutherland's none-more-evil Roman general Corvus, northern savage Milo (Harington) is taken south to London to be trained as a gladiator, where his reputation grows quickly over the years. Taken to Pompeii to impress Corvus, now a senator and in the city to oversee Rome's investment in its remodelling, Milo also impresses Severus's (Harris) daughter Cassia (Browning) with his humane treatment of her injured horse. However, nearby Mount Vesuvius grumbles and begins to cough billows of smoke into the air...
Pompeii
So we have noble man of poor birth who is looked down on by the well-to-do. After coming to the aid of a princess, she is swept off her feet despite the gulf between their classes. But romance is a no go as she is being forced to marry a real bad egg to ensure her family's future. As an unforeseen tragedy engulfs all, noble man must rescue the princess while bad egg and his henchman hunt them down. Is that not Titanic?
In Anderson's defence he doesn't keep us waiting as long as James Cameron did before unleashing hell. But maybe he should have as it would have given more time to develop the love story, the backbone of the movie; this is so perfunctory, so story-by-numbers, that there's zero chance of caring one way or another. The only relationship that's given any kind of depth is the friendship between Harington and the dependable Adewele Akinnuoye-Agbaje, a seasoned gladiator but even that's familiar.
They're not helped by the dialogue, with characters reduced to the bare minimum of characterisation.
Sutherland: 'I am a bad man.'
Harington: 'Honour and revenge.'
Adewele Akinnuoye-Agbaje: 'Honour and freedom.'
Browning: 'Help.'
But Anderson's biggest sin is in the botching of the eruption and the chaos that unfolded. This is why we're here after all, but we might as well be observing an ITV documentary from another room for all the emotional involvement it has. 

Brick Mansions


brickmansions

A remake of the French hit District 13, and owing more than a passing nod to Escape From New York, Brick Mansions finds hero cop Damien (Paul Walker) sent into the walled-off, crime-ridden cesspool that is Detroit, in order to take down big bad guy Tremaine (RZA), who happens to have stolen a massive nuclear device from the local government. Once inside the city, Damien teams up with ex-con Lino (David Belle), who is trying to save his ex-girlfriend, who has also been taken by Tremaine.

As the final film completed by Paul Walker before his untimely death, it is a testament to his natural, easy going charisma that he manages to not be dragged down by the jaw-droppingly bad movie around him, because make no mistake, Brick Mansions is TERRIBLE.
Everyone except Walker seems physically or mentally incapable of “acting”, more often than not gurning straight at the camera. The plot makes absolutely zero sense – how did a local mayor get his hands on a Russian nuclear device? – and the script is an intelligence free zone.
Brick Mansions
The original District 13 was all-parkour-all-the-time, but Walker is clearly not the parkour expert that Belle is, so they’ve dumped in one car-chase after another, and sometimes both together (Carkour?), just to distract us from the fact that running and jumping over things can go only get you so far against thousands of bad guys all armed to the teeth with automatic weapons.
The fight scenes are completely nonsensical, all blurry close-ups until we see someone is flat on his back, so we know the other guy won the fight but we don’t know how. Don’t even get us started on the female characters, who at one point fight each other in fetish-wear while using whips and chains as weapons.

And yet, there is something redeemable here. Brick Mansions, despite itself, becomes laughably enjoyable, accidentally entertaining, and finally succumbs to the description of “So bad it’s good”. It’s something that Steven Seagal or Jean Claude Van Damme would’ve made in the mid-90s, and we’re only accepting them for their cheesy greatness now. Let’s check back in with Brick Mansions in 2040 and see if we can accept it then.

Tarzan (2014)


tarzan

Disney did a pretty fantastic adaptation of the Tarzan story back in 1999, and even though its fifteen years later, any animated take on the tale is going to be compared to the Disney take. Unfortunately, this version of Tarzan doesn't only pale in comparison to that version, but looks shockingly shoddy when compared to most of the animated movies of the last ten years.
During a protracted prologue, we learn that Tarzan (voiced by Kellan Lutz, who is the only recognisable name on the cast-list) is the son of a rich couple who died in a helicopter crash in the 'African Jungles' while looking for the meteorite that wiped out the dinosaurs. A number of years later, and Tarzan has been raised by the local apes, and along comes Jane, who is there for eco-saving reasons, but her business partner is actually an evil businessman who now runs Tarzan's deceased parents company, and is here to find that same meteorite for it's 'unlimited power'.
Tarzan (2014)
Why the meteorite possesses such a power, or how anyone knows that, is never explained. Nor is it explained why seeking a clean, limitless power supply is evil, but we know it must be, cos the businessman who wants it shoots monkeys. Boo! Hiss! Bad guy!
Even aside from the shoddy story, there's still very little to recommend to kids of any age, let alone all ages. The animation is really quite cheap looking, like a late 90's video game, with the characters given all the expressive nature of a Thunderbirds puppet. Tarzan himself looks quite creepy, and with Lutz's animalistic, and oddly orgasmic, monkey sounds, as well as some questionable narration – 'A longing arose from deep within him...' - it beggars belief that nobody noticed this film slowly and steadily going off the rails.
That's not even to mention the completely-out-of-place Coldplay scene (you'll know it when you see it), the hilariously depressing epilogue, and the fact that the whole thing is just painfully dull. Even the most undemanding of four year olds will get fidgety watching this